Members Directory
Membership in the AAE is open to art editors and others involved in art-related publications. For a membership form and other information about joining, e-mail Phil Freshman at philfreshman@gmail.com.
Where AAE members work
Job opportunities for our members
Membership dues are $30 per year.
Send completed membership forms and checks payable to the Association of Art Editors to:
Phil Freshman
To jump to a member’s surname initial, click on a letter-group:
Julia Marsh Executive Director and Editor
810 S. 10th Street(610) 554-3748 (cell)julia.e.marsh@gmail.com www.sitcited.com
Freelance: Substantive editing, copyediting, and proofreading; general art history (esp. contemporary art, decorative arts, film/video, painting, performance art, photography, prints/drawings, sculpture, and technology), criticism/theory, and cultural history; catalogues, exhibition materials (object and wall labels; text panels), grant proposals, monographs, and promotional materials (brochures, e-newsletters, and press releases).
Erin K. Murphy Editor
San Antonio, TX(713) 578-0368 (cell)emurph80@gmail.com
Freelance: Copyediting, developmental/substantive editing,
fact-checking, image research/acquisition, project
management, proofreading, research, and writing; general art
history (esp. criticism/theory, cross-disciplinary/interdisciplinary, film, installation art, modern and
contemporary art, museum history/studies, painting,
photography, prints/drawings, and sculpture); annual reports,
artist materials (artist statements, biographies, and CVs);
catalogues (exhibition, monographs, and collection), exhibition
materials (brochures, object/wall labels, and text panels),
interviews, journals/periodicals, press releases, scholarly and
trade books, and Websites. Working knowledge of Spanish.
Comfortable working in Adobe Acrobat, Illustrator, and
InDesign.
Laura Napolitano, PhD Editor(301) 787-6695 (cell)laura.napolitano@ncdcr.gov ncartmuseum.org
Freelance: Copyediting and proofreading; general art history (esp. American art, painting, photography, portraiture, and prints/drawings); collection and exhibition catalogues, exhibition materials (object and wall labels; text panels), and scholarly articles/essays.
Kelly E. O’Donnell Cincinnati, OHkellyokellyok@gmail.com
Former Publications Director
Adjunct faculty
Pam Ozaroff 7203 Charlton Street(857) 636-0326 (cell)pamozaroff@gmail.com ozaroff-editing.com
Former contract editor, Bulletin of the Detroit Institute of Arts ; former copyeditor, Harvard Art Museums
Freelance: Developmental and substantive editing, line editing, copyediting, production editing in PDFs; general art history (esp. American, European, Indian, Islamic, and contemporary), conservation, film, installation art, painting, photography, prints/drawings, and sculpture; art-education materials, artists’ statements, exhibition catalogues, exhibition materials (object and wall labels; text panels), dissertations and theses, and scholarly books and journals. Strong knowledge of the Chicago Manual of Style .
Jean Patterson Manager of Book Publishing(626) 405-2171 jeanp123@aol.com www.jeanpatterson.com
Freelance: Copyediting, proofreading, indexing, and project management; American, Asian, European, Indian, and Latin American art, medieval and Renaissance art (including illuminated manuscripts), decorative arts, prints/drawings, textiles, British and Victorian studies, cultural history, gardens, and humanities; artists’ books, catalogues, exhibition materials, journals, and periodicals. Well-versed in InDesign.
Michelle Piranio 20 N. Going Street(503) 236-0435 (landline)michelle.piranio@earthlink.net
Freelance: Substantive editing, copyediting, English as a Second Language editing, translation editing (from French), and proofreading; general art history (esp. 19th- and 20th-century American and European), contemporary art, criticism/theory, painting, photography, and prints/drawings; exhibition catalogues, catalogues raisonnés, monographs, interdisciplinary publications, and scholarly books.