© 2001—2018 ASSOCIATION OF ART EDITORS
To jump to a member’s surname initial, click on a letter-group:
150 East 93rd Street, Apt. 10B
New York, NY 10128
Phone: (212) 996-0644 (landline)
Fax: (212) 996-0644
Former Editor, Special Publications, Metropolitan Museum of Art, New York
Freelance: Copyediting, substantive editing, and project management/coordination; art history (general), American and European art, contemporary art, fashion history, gardens, painting, photography, and prints/drawings; brochures, catalogues (exhibition and general museum), catalogues raisonnés, children’s publications, exhibition materials, and trade books.
Smithsonian American Art Museum
MRC 970/P.O. Box 37012
Washington, D.C. 37102
Phone: (202) 633-8335 (landline)
Expertise: Editing; American art and cultural history, landscape studies, and modernism; journals/periodicals.
Manager of Publications and Communication
American Federation of Arts
305 East 47th Street, 10th Floor
New York, NY 10017
Phones: (212) 988-7700, ext. 255 (office); (646) 479-8874 (cell/freelance)
E-mail: firstname.lastname@example.org; email@example.com
Freelance: Copyediting, substantive editing, proofreading, and project management; general art history and criticism/theory; annual reports, artists’ books, brochures, exhibition and collection catalogues, exhibition materials, grant proposals, journals, online publications, press releases, scholarly books, textbooks, and Websites.
2 Tohopeka Lane
Philadelphia, PA 19118
Phone: (215) 247-2366 (landline)
Former Senior Editor of Publishing, Philadelphia Museum of Art
Freelance: Substantive, developmental, and line editing and copyediting; author consultation for catalogues raisonnés, exhibition catalogues, and monographs; art history and theory (esp. Italian and Northern Renaissance, American, English, French, 20th century, and contemporary); art books with extensive notes, bibliographies, scholarly apparatus, and illustrations.
Queta Moore Watson
Dallas Museum of Art
1717 North Harwood Street
Dallas, TX 75201
Phone: (214) 922-1218 (landline)
Expertise: Copyediting, line editing, and proofreading; general art history; annual reports, collection catalogues, exhibition brochures, catalogues, and didactics (object and wall labels, text panels), and ephemera (including ads, education materials, gallery guides, in-house signage, invitations, maps, members’ magazine, press releases, and museum Website).
Shannon L. Wearing, PhD
RES: Anthropology and Aesthetics
3511 Garden Avenue
Los Angeles, CA 90039
Phone: (917) 843-2608 (cell)
Freelance: Copyediting, line editing, proofreading, and fact-checking; general art history (esp. medieval, Renaissance, modern, and contemporary), anthropology, archaeology, architecture, cultural studies, history, Iberian studies, illuminated manuscripts, marketing, music, online publications, religion, and theory; journals/periodicals.
National Gallery of Art
2000B South Club Drive, Landover, MD 20785
Phone: (202) 842-6200 (office landline)
Expertise: Copyediting, substantive editing, and proofreading; general art history and cultural studies; annual reports, brochures, educational materials, exhibition and collection catalogues, exhibition materials (object and wall labels; text panels), newsletters, and Websites. Working knowledge of French.
Former co-editor, Almanac of Architecture and Design
Freelance: Developmental, substantive, and line editing, copyediting, and project management; architecture, landscape architecture, design history, graphic design, industrial design, historic preservation, and gardening; exhibition materials, journals/periodicals, and trade books.
Editor and Publications Manager
Rubin Museum of Art
150 West 17th Street
New York, NY 10011
Phone: (212) 620-5000, ext. 357
Freelance: Copyediting, proofreading, reproduction permissions, research/fact-checking, and writing; general art history (esp. American, Canadian, European, Renaissance, and contemporary), criticism/theory, modernism, painting, photography, prints/
drawings, and sculpture; catalogues (exhibition and general museum), exhibition materials, journals/periodicals, and Websites.